It is not about illustrating a mathematical problem, but rather a pretext to iterate over aesthetic variations.

30 years after Max Bill wrote about the mathematical way of thinking about art in our time, he reflected in 1978 that mathematics is only one of the possible methods, a useful tool with which ideas can take visible form and lead to what he calls concrete art. From then on, he prefers to call this creative process not a mathematical method, but a logical one.

Three Pythagorean triples, 600 x 600 mm, acrylic on canvas, 2018